Alfred A. Tomatis
was one of the earliest pioneers in the field now known as psychoacoustics,
and his book L'Oreille et la Voix is considered a classic by many in
that field. By adapting the French text with the kind permission of
its original author and publisher, this present edition brings Tomatis's
passionate reverence for the ear and voice, along with his brilliant
insights into the nature of listening and singing to the English speaking
world. Although Tomatis initially applied his theories to vocal performance,
it soon became clear that the principles he had uncovered could also
have a profoundly beneficial influence on actors, painters, writers,
and those suffering from physical and psychological disabilities. This
translation of Tomatis's discoveries has been adapted to make it accessible
for a broad audience, and is divided into three Parts that can be fruitfully
read separately or together. Part One introduces Tomatis's general concepts
as they apply to the art of singi!
ng. Part Two is a basic introduction to the anatomy of the ear and how
its functions relate to the brain and the rest of the body. It also
explains how the vocal apparatus works and provides the reader with
a metaphor-free vocabulary for discussing anatomy with doctors and other
concerned professionals. Part Three gives practical advice on singing,
posture, and matters pertaining primarily to musicians. In addition
to works identified in the original French bibliography, a list of the
latest English-language books on the subject has been appended. The
Ear and the Voice is for everyone who wants to understand and experience
the benefits available to all conscientious listeners.
"This is an evocative read for every
musician. From the visionary science and wisdom of Tomatis, The Ear
and The Voice provides us with a waterfall of provocative ideas and
insights. Long awaited, long overdue, this book is essential for the
creative understanding of speech, listening and music making."
(Don Campbell, Musician, Lecturer, Author ofThe Mozart Effect)
"Finally available in English,
this is a scientific book about singing which contains important neurological
insights and is both practical and eminently readable." (Thomas
Hemsley, International Concert and Opera Singer, Professor at the Guildhall
School of Music, London)
